오픈 API는 아니고, 외국 티켓팅 사이트..키를 받아서 운영하는 건데..

Request URI

https://api-sandbox.londontheatredirect.com/rest/v2/Venues

Request HeadersSelect content

Api-Key: wbvjc7gje2ykcjbth5cdfq4q
X-Originating-Ip: 121.165.84.175
Content-Type: application/json

Response StatusSelect content

200 OK

Response HeadersSelect content

Access-Control-Allow-Headers: Accept, Origin, Content-Type
Access-Control-Allow-Methods: GET, POST, OPTIONS
Access-Control-Allow-Origin: *
Cache-Control: no-cache
Content-Type: application/json; charset=utf-8
Date: Tue, 04 Oct 2016 17:41:27 GMT
Expires: -1
Pragma: no-cache
Server: Microsoft-IIS/8.5
X-Aspnet-Version: 4.0.30319
X-Mashery-Responder: prod-j-worker-eu-west-1a-65.mashery.com
Content-Length: 428643
Connection: keep-alive

Response BodySelect content

{
    "Venues": [{
        "VenueId": 3,
        "Name": "Adelphi Theatre",
        "Info": "<h1><strong>THE ADELPHI THEATRE, LONDON</strong></h1>\r\n\r\n<p><strong>The Adelphi Theatre</strong> is a 1500-seat West End theatre, located on the Strand in the City of Westminster. The present building is the fourth at the location. The theatre has specialised in comedy and musical theatre, today it is a receiving house for a variety of productions, including many musicals. <strong>The Adelphi Theatre</strong> was Grade II listed for historical preservation on 1 December 1987.<br />\r\n<br />\r\n<strong>Adelphi Theatre</strong> : History</p>\r\n\r\n<p>19th century - It was founded in 1806 as the Sans Pareil ("Without Compare"), by merchant John Scott, and his daughter Jane (1770–1839). Jane was a British theatre manager, performer, and playwright. Together, they gathered a theatrical company and by 1809 the theatre was licensed for musical entertainments, pantomime, and burletta. She wrote more than fifty stage pieces in an array of genres: melodramas, pantomimes, farces, comic operettas, historical dramas, and adaptations, as well as translations. Jane Scott retired to Surrey in 1819, marrying John Davies Middleton (1790–1867).<br />\r\n <br />\r\nOn 18 October 1819, the theatre reopened under its present name, which was adopted from the Adelphi Buildings opposite.</p>\r\n\r\n<p>In its early years, <strong>Adelphi Theatre London</strong> was known for melodramas, called Adelphi Screamers. Many stories by Charles Dickens were also adapted for the stage here, including John Baldwin Buckstone's The Christening, a comic burletta, which opened on 13 October 1834, based on the story The Bloomsbury Christening. This is notable for being thought the first Dickens adaption performed. This was the first of many of Dickens's early works adapted for the stage of the <strong>Adelphi</strong>, including The Pickwick Papers as W. L. Rede's The Peregrinations of Pickwick; or, Boz-i- a-na, a three-act burletta first performed on 3 April 1837, Frederick Henry Yates's production of Nicholas Nickleby; or, Doings at Do-The-Boys Hall in November and December 1838, and Edward Stirling's two-act burletta The Old Curiosity Shop; or, One Hour from Humphrey's Clock (November and December 1840, January 1841). The theatre itself, makes a cameo appearance in The Pickwick Papers</p>\r\n\r\n<p><strong>The Adelphi</strong> came under the management of Madame Celeste and comedian Ben Webster, in 1844, and Buckstone was appointed its resident dramatist. Dramatisations of Dickens continued to be performed, including A Christmas Carol; or, Past, Present, and Future opening on 5 February; and Beckett's The Chimes: A Goblin Story of Some Bells that rang an Old Year out and a New One In. In 1848, The Haunted Man and the Ghost’s Bargain was performed.<br />\r\n <br />\r\nThe old <strong>Adelphi Theatre</strong> was demolished, and on 26 December 1858, The New Adelphi was opened and was considered an improvement on the cramped circumstances of the original, which had been described as a "hasty conversion from a tavern hall, permanently kept in its provisional state". The new theatre could seat 1,500 people, with standing room for another 500. The interior was lighted by a Stroud's Patent Sun Lamp, a brilliant array of gas mantles passed through a chandelier of cut-glass.</p>\r\n\r\n<p>In the mid-1800s, John Lawrence Toole established his comedic reputation at <strong>The Adelphi</strong>. Also in the mid-1800s, <strong>The Adelphi theater </strong>hosted a number of French operettas, including La belle Hélène. In 1867, however, the Adelphi gave English comic opera a boost by hosting the first public performance of Arthur Sullivan's first opera, Cox and Box.</p>\r\n\r\n<p>An actor who performed regularly at the Adelphi in the latter half of the nineteenth century, William Terriss, was stabbed to death on 16 December 1897, as recorded on a plaque on the wall by the stage door. Outside a neighbouring pub, a sign says that the killer was one of the theatre's stage hands, but Richard Archer Prince committed the murder. It has been said that Terriss' ghost still haunts the Adelphi. Terriss' daughter was Ellaline Terriss, a famous actress, and her husband, actor-manager Seymour Hicks managed the Adelphi for some years at the end of the 19th century.</p>\r\n\r\n<p><strong>Adelphi Theatre</strong> : 20th century<br />\r\n <br />\r\nOn 11 September 1901, the third theatre was opened as the Century Theatre, although the name reverted in 1904. This theatre was built by Frank Kirk to the design of Ernest Runtz. George Edwardes, the dean of London musical theatre, took over management of the theatre in 1908. In the early part of the 20th century, the Adelphi was home to a number of musical comedies, the most successful of which included The Earl and the Girl (1904), The Dairymaids (1907), The Quaker Girl (1910), The Boy (1917), Clowns in Clover (1927), and Mr. Cinders (1929).</p>\r\n\r\n<p>The present <strong>Adelphi </strong>Theatre opened on 3 December 1930, redesigned in the Art Deco style by Ernest Schaufelberg. It was named the 'Royal Adelphi Theatre' and re-opened with the hit musical Ever Green, by Lorenz Hart and Richard Rodgers, based on the book Benn W. Levy. Noel Coward's Words and Music premièred at the theatre in 1932. The operetta Balalaika (a revised version of the The Gay Hussars) played at the theatre in 1936, and in 1940 the theatre's name again reverted to 'The Adelphi'. The theatre continued to host comedy and musicals, including Bless The Bride (1947), Maggie May (1964), and A Little Night Music (1975), as well as dramas (see below for a list beginning in 1979).</p>\r\n\r\n<p>A proposed redevelopment of Covent Garden by the GLC in 1968 saw the theatre under threat, together with the nearby Vaudeville, Garrick, Lyceum and Duchess theatres. An active campaign by Equity, the Musicians' Union, and theatre owners under the auspices of the Save London Theatres Campaign led to the abandonment of the scheme.</p>\r\n\r\n<p>On 27 February 1982 <strong>the Adelphi</strong> hosted the final night of the D'Oyly Carte Opera Company for a concert performance of songs from all thirteen Savoy Operas as well as Cox and Box and Thespis.</p>\r\n\r\n<p>In 1993, Andrew Lloyd Webber's Really Useful Group purchased the theatre and completely refurbished it prior to the opening of his adaptation of Sunset Boulevard. The 1998 video of Lloyd Webber's musical Cats was filmed at the theatre.</p>\r\n\r\n<p>21st century <strong>Adelphi Theatre</strong></p>\r\n\r\n<p>In November 1997, <strong>the Adelphi Theatre London</strong> became home to the production of the popular American musical Chicago, which became the venue's longest ever production during its eight-and-a-half years run, and which also made it the longest running American musical in West End history. In April 2006, Chicago transferred to the Cambridge Theatre on Seven Dials where it continues to run.</p>\r\n\r\n<p>Michael Grandage's brand new production of Andrew Lloyd Webber's Evita replaced the show, beginning previews on 2 June 2006 before completing a twelve months run on 26 May 2007.</p>\r\n\r\n<p>Brian Wilson performed his album Pet Sounds for the last time in the UK at the Adelphi in November 2006.</p>\r\n\r\n<p>From 6 July 2007, <strong>The Adelphi</strong> was home to another Lloyd Webber revival, Joseph and the Amazing Technicolor Dreamcoat. The actor playing Joseph, Lee Mead, was cast by winning the BBC television show Any Dream Will Do, and starred alongside Preeya Kalidas and Dean Collinson.</p>\r\n\r\n<p>The theatre is currently owned and managed by the Adelphi Theatre Company Limited, a partnership between Andrew Lloyd Webber's Really Useful Group and Nederlander International.</p>\r\n\r\n<p>The adjacent, numbers 409 and 410 Strand, were built in 1886-7 by the Gatti Brothers as the Adelphi Restaurant. The frontage remains essentially the same, but with plate glass windows, and, like the theatre, is a Grade II listed building.</p>\r\n\r\n<p><strong>Adelphi Theatre</strong> : Recent Productions</p>\r\n\r\n<p>My Fair Lady (25 October 1979 - 31 October 1981)<br />\r\nThe 1981-82 D'Oyly Carte Opera Company Season (11 November 1981 - 27 February 1982)<br />\r\nThe American Dream Machine (20 October 1982 - 1 December 1982)<br />\r\nMarilyn (17 March 1983 - 30 July 1983)<br />\r\nPoppy (12 November 1983 - 4 February 1984)<br />\r\nLena Horne - The Lady and Her Music (6 August 1984 - 29 September 1984)<br />\r\nThe Jungle Book (4 December 1984 - 12 January 1985)<br />\r\nMe and My Girl (12 February 1985 - 16 January 1993)<br />\r\nSunset Boulevard (12 July 1993 - April 1997)<br />\r\nDamn Yankees (4 June 1997 - 9 August 1997)<br />\r\nChicago (19 November 1997 - 22 April 2006)<br />\r\nEvita (20 June 2006 - 26 May 2007) <br />\r\nJoseph and the Amazing Technicolor Dreamcoat (6 July 2007 - 30 May 2009) <br />\r\nDerren Brown: Enigma (15 June 2009 - 23 July 2009)<br />\r\nThe Rat Pack: Live From Las Vegas (24 September 2009 - 2 January 2010)<br />\r\nLove Never Dies (9 March 2010 - 27 August 2011)<br />\r\nOne Man, Two Guvnors (21 November 2011 – 25 February 2012)<br />\r\nSweeney Todd, the Demon Barber of Fleet Street (10 March 2012 – 22 September 2012)<br />\r\n<br />\r\n<strong>Adelphi Theatre Current Production</strong> </p>\r\n\r\n<p><a href=\"https://www.londontheatredirect.com/musical/1062/The-Bodyguard-tickets.aspx\">The Bodyguard</a> (Featuring the Music of Whitney Houston (6 November 2012- )</p>\r\n\r\n<p> </p>\r\n",
        "Address": "Strand",
        "City": "London",
        "Postcode": "WC2R 0NS",
        "Telephone": "02037257069",
        "Fax": null,
        "Email": "Tradedesk@adelphitheatre.co.uk",
        "NearestTube": "Charing Cross/Embankment",
        "Train": "Charing Cross",
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/AdelphiTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/AdelphiTheatre.jpg"
    }, {
        "VenueId": 204,
        "Name": "Al Hirschfeld Theatre",
        "Info": null,
        "Address": "302 West 45th Street",
        "City": "New York",
        "Postcode": null,
        "Telephone": null,
        "Fax": null,
        "Email": null,
        "NearestTube": null,
        "Train": null,
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/AlHirschfeldTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/AlHirschfeldTheatre.jpg"
    }, {
        "VenueId": 18,
        "Name": "Aldwych Theatre",
        "Info": "<h1><strong>THE ALDWYCH THEATRE, LONDON</strong></h1>\r\n\r\n<p><strong>History of The Aldwych Theatre</strong></p>\r\n\r\n<p><strong>Origins</strong></p>\r\n\r\n<p><strong>The Aldwych</strong> was built as a pair with the then Waldorf Theatre (now called the <strong><a href=\"https://www.londontheatredirect.com/venue/76/Novello-Theatre.aspx\">Novello Theatre</a></strong>), both being designed by W.G.R. Sprague. Funded by Seymour Hicks, in association with the American impressario Charles Frohman, and built by Walter Wallis of Balham, the ornate decorations were in the Georgian style. The theatre was constructed on the newly built Aldwych.</p>\r\n\r\n<p>The <strong>Aldwych Theatre </strong>opened on 23 December 1905 with a production of Blue Bell, a new version of Hicks' popular pantomime Bluebell in Fairyland. In 1906, Hicks' The Beauty of Bath, followed in 1907 by The Gay Gordons played at the theatre. In February 1913 the theatre was used by Serge Diaghilev and Vaslav Nijinsky for the first rehearsals of Le Sacre du Printemps before its controversial première in Paris later that year. In 1920, Basil Rathbone played Major Wharton in The Unknown. From 1925-1933, <strong>The Aldwych Theater</strong> became the home of Ben Travers's farces, also known as The Aldwych Farces. Members of Travers's company included Ralph Lynn, Tom Walls, Yvonne Arnaud, Norma Varden, Mary Brough, Winifred Shotter and Robertson Hare. In 1933, Richard Tauber presented and starred in a new version of Das Dreimäderlhaus at the <strong>Aldwych</strong> under the title Lilac Time. From the mid-1930s until about 1960, the theatre was owned by the Abrahams family.<br />\r\n<br />\r\n<strong>Post-war years and Royal Shakespeare Company</strong></p>\r\n\r\n<p>Vivien Leigh, who had won an Academy Award for the film version, appeared in a 1949 production of A Streetcar Named Desire at the <strong>Aldwych Theatre London</strong>, which was directed by her husband, Laurence Olivier. Bonar Colleano co-starred as Stanley.</p>\r\n\r\n<p>On 15 December 1960, after intense speculation, it was announced that the Royal Shakespeare Company of Stratford-upon-Avon was to base its London productions in <strong>The Aldwych Theatre</strong> for the next three years. In fact they stayed for over 20 years, finally moving to the Barbican Arts Centre in 1982. Among many notable productions were The Wars of the Roses, The Greeks, and Nicholas Nickleby, as well as numerous Shakespeare productions.</p>\r\n\r\n<p>During absences of the RSC, <strong>the Aldwych theatre</strong> hosted the annual World Theatre Seasons, foreign plays in their original productions, invited to London by the theatre impresario Peter Daubeny, annually from 1964 to 1973 and finally in 1975. For his involvement with these <strong>Aldwych Theatre West End</strong> seasons, run without Arts Council or other official support, Daubeny won the Evening Standard special award in 1972.</p>\r\n\r\n<p>In 1990-91, Joan Collins starred in Private Lives at <strong>London's Aldwych Theatre</strong>. Other notable recent productions are listed below. The theatre is referred to in Julio Cortázar's short story Instructions for John Howell (Instrucciones para John Howell) in the anthology All Fires the Fire (Todos los fuegos el fuego).</p>\r\n\r\n<p><strong>The Aldwych Theatre</strong> is amongst the many West End theatres that are reported to be haunted.</p>\r\n\r\n<p><br />\r\n<br />\r\n<strong>Aldwych Theatre Recent Productions</strong></p>\r\n\r\n<p>An Inspector Calls (August 25, 1993 - January 21, 1995)</p>\r\n\r\n<p>Indian Ink (February 27, 1995 - January 6, 1996) by Tom Stoppard</p>\r\n\r\n<p>The Fields of Ambrosia (January 31, 1996 - Februayry 11, 1996) by Joel Higgins and Martin Silvestri</p>\r\n\r\n<p>Present Laughter (February 27, 1996 - April 20, 1996) by Noel Coward</p>\r\n\r\n<p>Tolstoy (April 30, 1996 - May 18, 1996) by James Goldman</p>\r\n\r\n<p>Who's Afraid of Virginia Woolf? (November 6, 1996 - March 22, 1997) by Edward Albee</p>\r\n\r\n<p>Tom and Clem (April 14, 1997 - July 26, 1997) by Stephen Churchett</p>\r\n\r\n<p>Life Support (August 5, 1997 - October 18, 1997) by Simon Gray</p>\r\n\r\n<p>The Boys in the Band (October 29, 1997 - December 20, 1997) by Mark Crowley</p>\r\n\r\n<p>Amy's View (January 14, 1998 - April 18, 1998) by David Hare</p>\r\n\r\n<p>Whistle Down The Wind (July 1, 1998 - January 6, 2001) by Andrew Lloyd Webber and Jim Steinman</p>\r\n\r\n<p>The RSC's The Secret Garden (February 27, 2001 - June 2, 2001) by Marsha Norman and Lucy Simon</p>\r\n\r\n<p>Mahler's Canversion (October 2, 2001 - November 3, 2001) by Ronald Harwood</p>\r\n\r\n<p>Thunderbirds FAB (December 11, 2001 - January 6, 2002) by Andrew Dawson, Gavin Robertson from Gerry Anderson</p>\r\n\r\n<p>Top Girls (January 9, 2002 - February 2, 2002) by Caryl Churchill</p>\r\n\r\n<p>Mother Clap's Molly House (February 8, 2002 - March 23, 2002) by Mark Ravenhill and Matthew Scott</p>\r\n\r\n<p>Bedroom Farce (April 8, 2002 - June 29, 2002) by Alan Ayckbourn</p>\r\n\r\n<p>Fame - The Musical (September 6, 2002 - April 22, 2006) by Jacques Levy and Steve Margoshes</p>\r\n\r\n<p>Dancing In The Streets (April 27, 2006 - July 16, 2006)</p>\r\n\r\n<p>Dirty Dancing - The Classic Story on Stage (September 28, 2006 - ) by Eleanor Bergstein</p>\r\n\r\n<p>A Round-Heeled Woman (30 November 2011 – 14 January 2012)</p>\r\n\r\n<p> </p>\r\n\r\n<p><strong>The Aldwych Theatre Current Production</strong></p>\r\n\r\n<p><a href=\"https://www.londontheatredirect.com/musical/1026/Top-Hat-tickets.aspx\"><strong>Top Hat - The musical</strong></a><strong> (</strong>April 2012 – ), by Irving Berlin</p>\r\n\r\n<p> </p>\r\n\r\n<p> </p>\r\n\r\n<p> </p>\r\n",
        "Address": "Aldwych",
        "City": "London",
        "Postcode": "WC2B 4DF",
        "Telephone": "020 7379 3367",
        "Fax": "020 7379 5776",
        "Email": "aldwych.boxoffice@nederlander.co.uk",
        "NearestTube": "Charing Cross/Embankment",
        "Train": "Charing Cross",
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/AldwychTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/AldwychTheatre.jpg"
    }, {
        "VenueId": 148,
        "Name": "Almeida Theatre",
        "Info": "<h1><strong>THE ALMEIDA THEATRE, LONDON</strong></h1>\r\n\r\n<p>The Almeida in the heart of Islington, North London is a 325 seat theatre that is divided over 2 levels, the stalls on the ground floor, and the circle upstairs. Each area offers comfortable bench style seating with plenty of leg room. </p>\r\n\r\n<p>The Almeida is a unique space and combines the best of 19th century original features with the comfort of modern facilities.</p>\r\n\r\n<p>They produce a diverse range of British and international drama with some of the world's best artists, and have developed a reputation as a local theatre with world profile.<br />\r\n <br />\r\nAlmeida Projects links the theatre's work with the local community.</p>\r\n\r\n<p>The Almeida has a curved back wall just behind the stage. This unusual feature has the effect of making audiences feel extremely close to the stage and results in an acting area that is almost as large as the auditorium is small.<br />\r\n <br />\r\nThe distinctive shape of the space has been central to many Almeida productions and the intimacy of the relationship between performers and audience has also played a huge part in the Almeida's success. As The Times wrote, "a small stage where giants play", referring to the calibre of actors that work on our unique stage.</p>\r\n\r\n<p>The annual Almeida Festival celebrates the best of new and international theatre bringing fresh voices to the Almeida stage.</p>\r\n",
        "Address": "Almeida Street",
        "City": "London",
        "Postcode": "N1 1TA",
        "Telephone": "020 7359 4404",
        "Fax": null,
        "Email": "info@almeida.co.uk",
        "NearestTube": "Highbury & Islington / Angel",
        "Train": "Highbury & Islington",
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/AlmeidaTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/AlmeidaTheatre.jpg"
    }, {
        "VenueId": 191,
        "Name": "Ambassador Theatre",
        "Info": null,
        "Address": "219 West 49th Street",
        "City": "New York",
        "Postcode": null,
        "Telephone": null,
        "Fax": null,
        "Email": null,
        "NearestTube": null,
        "Train": null,
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/AmbassadorTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/AmbassadorTheatre.jpg"
    }, {
        "VenueId": 58,
        "Name": "Ambassadors Theatre",
        "Info": "<h1><strong>THE AMBASSADORS THEATRE, LONDON</strong></h1>\r\n\r\n<p><strong>The Ambassadors Theatre: </strong>History</p>\r\n\r\n<p><strong>The Ambassadors Theatre London</strong>, and the <a href=\"https://www.londontheatredirect.com/venue/25/St-Martins-Theatre.aspx\">St Martin's Theatre</a> were conceived by their architect, W.G.R. Sprague, as companions, born at the same time in 1913, but World War I interrupted the construction of the latter for three years. <strong>The Ambassadors</strong> was built with the intention of being an intimate, smaller theatre and is situated opposite the renowned restaurant The Ivy, favourite haunt of the theatrical elite.<br />\r\n<br />\r\nThe auditorium is decorated in an elegant Louis XVI style and the horseshoe shaped single balcony is only a few steps up from ground level, while the stalls are built underground. Charles B Cochran recognised the Ambassadors lent itself perfectly to intimate revue and a period of sophisticated 'miniature revues' were performed at <strong>the Ambassadors</strong> at the beginning of the First World War.<br />\r\n<br />\r\nThe world's longest running and most famous play, <a href=\"https://www.londontheatredirect.com/play/27/Mousetrap-tickets.aspx\">The Mousetrap</a>, started its run at <strong>The Ambassadors Theater</strong>, with Richard Attenborough and his wife Sheila Sim, who were the first of generations of casts to perform in what has become a seemingly permanent tourist attraction. Since The Mousetrap, <strong>The Ambassadors</strong> has enjoyed numerous other successes, including the Royal Shakespeare's hit production of Les Liaisons Dangereuses in the 80s.<br />\r\n<br />\r\nATG took over <strong>The Ambassadors</strong> and it became the home for new writing. In 2007, it was announced that ATG had sold the venue to Sir Stephen Waley-Cohen, who began an extensive programme of refurbishments.</p>\r\n\r\n<p> </p>\r\n\r\n<p><strong>Recent Productions at The Ambassadors Theatre:</strong></p>\r\n\r\n<p>Stones in his Pockets (21 July 2003 - 1 May 2004) by Marie Jones</p>\r\n\r\n<p>The Shape of Things (17 May 2004 - 12 June 2005) by Neil LaBute</p>\r\n\r\n<p> Guantanamo: Honour Bound to Defend Freedom (23 June 2004 - 4 September 2004) by Victoria Brittain and Gillian Slovo</p>\r\n\r\n<p>Sweeney Todd (13 October 2004 - 5 February 2005) by Stephen Sondheim</p>\r\n\r\n<p> Ying Tong: A Walk with The Goons (14 February 2005 - 19 March 2005) by Roy Smiles</p>\r\n\r\n<p> Someone Who'll Watch Over Me (19 April 2005 - 18 June 2005) by Frank McGuinness</p>\r\n\r\n<p> Telstar (24 June 2005 - 10 September 2005) by Nick Moran and James Hick</p>\r\n\r\n<p> Journey's End (22 September 2005 - 28 January 2006) by R.C. Sherriff</p>\r\n\r\n<p> Hamlet (20 February 2006 - 22 April 2006) by William</p>\r\n\r\n<p>Shakespeare, starring Ed Stoppard and Anita Dobson</p>\r\n\r\n<p> On the Third Day (22 June 2006 - 29 July 2006) by Kate Betts</p>\r\n\r\n<p> Waiting for Godot (September 2006 - November 2006) by Samuel Beckett</p>\r\n\r\n<p> Love Song (24 November 2006 - 24 February 2007) by John Kolvenbach</p>\r\n\r\n<p> Whipping it Up (22 February 2007 - 16 June 2007) by Steve Thompson, starring Richard Wilson and Robert Bathurst</p>\r\n\r\n<p> Little Shop of Horrors (29 June 2007 - 8 September 2007) by Alan Menken, starring Sheridan Smith and Alistair McGowan</p>\r\n\r\n<p> </p>\r\n\r\n<p><strong>The Ambassadors Theatre current production:</strong></p>\r\n\r\n<p> </p>\r\n\r\n<p><a href=\"https://www.londontheatredirect.com/musical/529/Stomp-tickets.aspx\"><strong>Stomp</strong><strong> </strong></a>(4 October 2007 - ) by Steve McNicholas and Luke Cresswell</p>\r\n\r\n<p> </p>\r\n\r\n<p> </p>\r\n",
        "Address": "West Street",
        "City": "London",
        "Postcode": "WC2H 9ND",
        "Telephone": "0844 811 2334",
        "Fax": "02072407705",
        "Email": "boxofficemanager@theambassadorstheatre.co.uk",
        "NearestTube": "Leicester Square",
        "Train": "Charing Cross",
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/AmbassadorsTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/AmbassadorsTheatre.jpg"
    }, {
        "VenueId": 209,
        "Name": "American Airlines Theatre",
        "Info": null,
        "Address": "227 West 42nd Street",
        "City": "New York",
        "Postcode": null,
        "Telephone": null,
        "Fax": null,
        "Email": null,
        "NearestTube": null,
        "Train": null,
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/AmericanAirlinesTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/AmericanAirlinesTheatre.jpg"
    }, {
        "VenueId": 1,
        "Name": "Apollo Theatre",
        "Info": "<h1><strong>THE APOLLO THEATRE, LONDON</strong></h1>\r\n\r\n<p><strong>The Apollo Theatre</strong>: History and Information</p>\r\n\r\n<p>The <strong>West End's</strong> <strong>Apollo Theatre</strong> is a Grade II listed theatre, on <strong>Shaftesbury Avenue</strong> in the City of Westminster, London. Designed by architect Lewin Sharp for owner Henry Lowenfield, it was the fourth legitimate theatre to be constructed on the street. <strong>The Apollo's</strong> doors opened on 21 February 1901 with the American musical comedy The Belle of Bohemia. The production was followed by John Martin-Harvey's season, including A Cigarette Maker's Romance and The Only Way, an adaptation of Charles Dickens' A Tale of Two Cities.</p>\r\n\r\n<p>The <strong>Apollo Theatre</strong> was the first in London to be built in the Edwardian period, it<strong> </strong>was renovated by Schaufelberg in 1932, and a private foyer and ante room were installed to the Royal Box. The sculpted work on the stone fascia is by T. Simpson, the building is of plain brick to the neighbouring streets. <strong>The Apollo Theater</strong> has a first floor central loggia, inside there is a three galleried auditorium with elaborate plasterwork.The theatre seats 796, and the balcony on the 3rd tier is considered the steepest in London.</p>\r\n\r\n<p>The Stoll Moss Group<strong> </strong>purchased <strong>the</strong> <strong>Apollo Theatre </strong>in 1975 and sold it to Andrew Lloyd-Webber's Really Useful Group<strong> </strong>and Bridgepoint Capital in 2000. Nica Burns<strong> </strong>and Max Weitzenhoffer<strong> </strong>purchased the theatre and several others in 2005, creating Nimax Theatres, which still owns the venue.</p>\r\n\r\n<p><strong>Apollo Theatre</strong>:<strong> </strong>Production history<br />\r\n <br />\r\n<strong>The West End's Apollo Theatre</strong> has a rich and varied production history. George Edwards produced a series of successful Edwardian musical comedies, including Kitty Grey (1901), Three Little Maids and The Girl from Kays (1902). An English version of André Messager's light opera Véronique became a hit in 1904, starring with Ruth Vincent, who also starred in Edward German's Tom Jones in 1907. Between 1908 and 1912, the theatre hosted H. G. Pelissier's The Follies. After this, the theatre hosted a variety of works, including seasons of plays by Charles Hawtrey in 1913, 1914 and 1924, and Harold Brighouse's Hobson's Choice in 1916. Gilbert Dayle's What Would a Gentleman Do? played in 1918.</p>\r\n\r\n<p>George Grossmith, Jr. and Edward Laurillard managed <strong>The Apollo Theatre</strong> from 1920 to 1923, presenting a series of plays and revivals, including Such a Nice Young Man by H.F. Maltby (1920) and the stage version of George Du Maurier's novel Trilby (1922). They had produced The Only Girl here in 1916 and Tilly of Bloomsbury in 1919. The Fake was produced in 1924, starring Godfrey Tearle. 1927 saw Abie's Irish Rose and Whispering Wires, with Henry Daniel. The next year, Laurence Olivier starred in R. C. Sherriff's Journey's End. Sean O'Casey's The Silver Tassie and Ivor Novello's A Symphony in Two Flats both played in 1929. Diana Wynyard starred as Charlotte Brontë in Clemence Dane's Wild Decembers in 1932, and Raymond Massey starred in Robert Sherwood's Pulitzer Prize-winning Idiot's Delight in 1938. Patrick Hamilton's play Gaslight held the stage in 1939, and Terence Rattigan's Flare Path played in 1942.</p>\r\n\r\n<p><strong>The Apollo Theatre</strong> was transferred to Prince Littler in 1944. John Clements and Kay Hammond starred in Noël Coward's Private Lives, and Margaret Rutherford starred in The Happiest Days of Your Life in 1948, followed by Sybil Thorndike and Lewis Casson in Treasure Hunt, directed by John Gielgud in 1949. After this, Seagulls Over Sorrento ran for over three years beginning in 1950. <strong>The Apollo</strong>'s longest run was the comedy Boeing Boeing, starring Patrick Cargill and David Tomlinson, which opened in 1962 and transferred to the <a href=\"https://www.londontheatredirect.com/venue/50/Duchess-Theatre.aspx\">Duchess Theatre</a> in 1965. In 1968, Gielgud starred in Alan Bennett's Forty Years On and in 1969, he returned in David Storey's Home, with Ralph Richardson. He returned to the <strong>Apollo Theatre London</strong> in 1988, at the age of 83, for the production Best of Friends by Hugh Whitemore.</p>\r\n\r\n<p>A number of hit comedies transferred to or from <strong>The Apollo</strong> in the 1970s and 1980s, and other important plays at the theatre during this period included Rattigan's Separate Tables, with John Mills in 1976, Orphans in 1986 with Albert Finney, I'm Not Rappaport the same year, with Paul Scofield, and Dorothy Tutin, Eileen Atkins and Siân Phillips in Thursday's Ladies in 1987. Driving Miss Daisy played in 1988, starring Wendy Hiller, and 1989 saw Zoe Wanamaker in Mrs Klein, Vanessa Redgrave in A Mad house in Goa, and Peter O'Toole in Jeffrey Bernard Is Unwell. Penelope Wilton starred in Rattigan's The Deep Blue Sea in 1993, and In Praise of Love played in 1995, with Peter Bowles. Mark Little starred in the Laurence Olivier Award-winning one-man show, Defending the Caveman in 1999.</p>\r\n\r\n<p><strong>Apollo Theatre</strong>: Recent Productions</p>\r\n\r\n<p>Side Man (2000) with Jason Priestley</p>\r\n\r\n<p>Fallen Angels (2000) with Felicity Kendal and Frances de la Tour</p>\r\n\r\n<p>A female version of The Odd Couple (2001)</p>\r\n\r\n<p>Star Quality (2001) with Penelope Keith and Una Stubbs</p>\r\n\r\n<p>Arthur Miller's The Price (2003) with Warren Mitchell</p>\r\n\r\n<p>The Goat or Who is Sylvia? (2004) with Jonathan Pryce</p>\r\n\r\n<p>David Mamet's A Life in the Theatre (2005) with Patrick Stewart and Joshua Jackson</p>\r\n\r\n<p>Mary Stuart (2005) with Harriet Walter</p>\r\n\r\n<p>Edward Albee's Who's Afraid of Virginia Woolf (2006) with Kathleen Turner</p>\r\n\r\n<p>Tennessee Williams' Summer and Smoke (2006) with Rosamund Pike</p>\r\n\r\n<p>The Glass Menagerie (2007) with Jessica Lange</p>\r\n\r\n<p>The Last Five Years (2007)</p>\r\n\r\n<p>Glengarry Glen Ross (2007) with Jonathan Pryce</p>\r\n\r\n<p>An Audience with the Mafia (2008)</p>\r\n\r\n<p>The Vortex (2008) with Felicity Kendal</p>\r\n\r\n<p>Divas (2008)</p>\r\n\r\n<p>Rain Man (2008) with Josh Hartnett and Adam Godley</p>\r\n\r\n<p>Three Days of Rain (2009) with James McAvoy and Nigel Harman</p>\r\n\r\n<p>Carrie's War (2009) with Prunella Scales</p>\r\n\r\n<p>Jerusalem (2010)</p>\r\n\r\n<p>All My Sons (2010) with David Suchet and Zoë Wanamaker</p>\r\n\r\n<p>Blithe Spirit (2011) with Alison Steadman</p>\r\n\r\n<p>Yes Prime Minister (2011)</p>\r\n\r\n<p>Jerusalem (2011–2012)</p>\r\n\r\n<p>The Madness of George III (2012)</p>\r\n\r\n<p>Long Day's Journey Into Night (2012) with David Suchet</p>\r\n\r\n<p>Richard III and Twelfth Night (2012) with Mark Rylance and Stephen Fry</p>\r\n\r\n<p>The Curious Incident of the Dog in the Night-Time (2013-2014, transferred to <strong><a href=\"https://www.londontheatredirect.com/venue/22/Gielgud-Theatre.aspx\">Gielgud Theatre</a></strong>)</p>\r\n\r\n<p><strong>Apollo Theatre</strong>: Current Production</p>\r\n\r\n<p><strong><a href=\"https://www.londontheatredirect.com/play/1461/Let-The-Right-One-In-tickets.aspx\">Let The Right One In</a></strong> (2014- )</p>\r\n\r\n<p> </p>\r\n\r\n<p>  </p>\r\n",
        "Address": "Shaftesbury Avenue",
        "City": "London",
        "Postcode": "W1D 7EZ",
        "Telephone": "02074945070",
        "Fax": null,
        "Email": "apollo@nimaxtheatres.com",
        "NearestTube": "Piccadilly Circus",
        "Train": "Charing Cross",
        "PlanLink": "https://ltdtest.londontheatredirect.com/img/seatingplan/ApolloTheatre.gif",
        "ImageUrl": "https://ltdtest.londontheatredirect.com/img/theatrelarge/ApolloTheatre.jpg"
    }, {
        "VenueId": 85,
        "Name": "Apollo Victoria Theatre",
        "Info": "<h1><strong>THE APOLLO VICTORIA THEATRE, LONDON</strong></h1>\r\n\r\n<p><strong>The Apollo Victoria Theatre</strong> is a theatre on Wilton Road near Victoria station in London. The building was designed as a "super-cinema" by E. Warmsley Lewis in 1930 in striking art deco style. The cinema however, closed in 1975, but it was to reopen six years later as a theatre, with a concert by Shirley Bassey providing the opening night.<br />\r\n<br />\r\nThe <strong>Apollo Victoria Theatre</strong> was home for eighteen years to Andrew Lloyd Webber's musical, Starlight Express, for which the theatre was extensively redesigned to accommodate a multi-tier roller skating arena. On 12 January 2002, shortly before the show's 18th birthday, Lloyd Webber made the decision to stop the show, in order to open his new production of A. H. Rahman's Bombay Dreams at <strong>The Apollo Victoria</strong>, which received its world premiere on 19 June 2002. The original production, which starred

대충 이런 문법인거같습니다. 티켓 설명부터 부킹까지.. 이런식으로 가이드 API가 다 있는데 현재 XE로 운영하는 사이트에 구현할수 있으신분.. 구합니다.

번역은 제가 할거라필요없을거같고.. 이거 긁어서 만들어 주실분 구합니다!